Category

INSTRUMENTAL

Barely Exist (instrumental)

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I get my vitamins through the guitar strings. Fuck injections. Also, when someone forces you to make a slick recording, go in the other room with a cheap microphone and record your own version behind the blood-sucker’s back.

I get my vitamins through the guitar strings. Fuck…

0054, acoustic, hike, life, confused, self help, irish jig, folk, fast, catchy, upbeat, hammer on, hammer off, singer, songwriter, cinematic, pop, instrumental, video, performance, live, black and white, bandaid, guitar

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…injections. Also, when someone forces you to make a slick recording, go in the other room with a cheap microphone and record your own version behind the blood-sucker’s back.

Goodbye Home (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, ALL VIDEOS, AMBIENT, BEST OF, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, INSTRUMENTAL, MUSIC, NOSTALGIC, POETRY, RAD, RAW, VISUAL ART

Cracks and holes in Victorian walls
Pink noises coming from above and all around
The scent of stale chips and old spinach
Don’t know what I’m doing, but I’m keeping my head down

Cracks and holes in Victorian walls…

0042, electronic, experimental landscapes, acoustic, instrumental, raw, room, alone, family, lost, money, distorted, guitar, synth, feedback, mic, noises, glitch, organ, ethereal, reverb, spacey, dark, slow tempo, adolescence

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Cracks and holes in Victorian walls. Pink noises coming from above and all around. The scent of stale chips and old spinach. Don’t know what I’m doing, but I’m keeping my head down.

One Minute More (MYCST Remix) (instrumental)

By | ALL CONTENT, ALL SONGS, DANCE, ELECTRONIC, INDIE, INSTRUMENTAL, INTERPRETATIONS, MUSIC, RAD

We’re psyched we got our fingers on these stems. Thank you to our buddies at Capital Cities.

0125,electronic, interpretation, lib, lightning in a bottle, eclipse, capital cities, cc, constellation, stars, space, sky, dub, dubstep, electro, electric, high energy, intense, pop, radio, cover, remix, stems, california, anthem

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Swing Low Hypocrite Theme

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Uncle           Wallace Willis              was a Choctaw freedman

living in the Indian                             Territory, in what                 is now Choctaw County, near                        the city of Hugo,

Oklahoma. His              dates are unclear:                       perhaps 1820 to 1880.

                   He is credited  with composing                                                several Negro spirituals.

0128, electric guitar, mellow, minimal, chill, heartful, emotional, interpretation, cover, wallace willis, slavery, slave, freedom, african american, culture, old, nostalgic, folk, instrumental, trio, series, EP, set, quiet, calm, tranquil

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Swing Low Happy Theme

By | ALL CONTENT, ALL SONGS, AMBIENT, CINEMATIC, CULTURE, ELECTRIC GUITAR, EP'S, LP'S, SPLITS, FOLK, INDIE, INSTRUMENTAL, INTERPRETATIONS, MUSIC

Uncle           Wallace Willis              was a Choctaw freedman

living in the Indian                             Territory, in what                 is now Choctaw County, near                        the city of Hugo,

Oklahoma. His              dates are unclear:                       perhaps 1820 to 1880.

                   He is credited  with composing                                                several Negro spirituals.

0127, electric guitar, mellow, minimal, chill, heartful, emotional, interpretation, cover, wallace willis, slavery, slave, freedom, african american, culture, old, nostalgic, folk, instrumental, trio, series, EP, set, quiet, calm, tranquil

music, producer, audio, mycst, memories you can swim to, license, licenses

Swing Low Main Theme

By | ALL CONTENT, ALL SONGS, AMBIENT, CINEMATIC, CULTURE, ELECTRIC GUITAR, EP'S, LP'S, SPLITS, FOLK, INDIE, INSTRUMENTAL, INTERPRETATIONS, MEDITATION, MUSIC, NOSTALGIC

Uncle           Wallace Willis              was a Choctaw freedman

living in the Indian                             Territory, in what                 is now Choctaw County, near                        the city of Hugo,

Oklahoma. His              dates are unclear:                       perhaps 1820 to 1880.

                   He is credited  with composing                                                several Negro spirituals.

0126, electric guitar, mellow, minimal, chill, heartful, emotional, interpretation, cover, wallace willis, slavery, slave, freedom, african american, culture, old, nostalgic, folk, instrumental, trio, series, EP, set, quiet, calm, tranquil

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Songs My Mother Taught Me (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, CLASSICAL, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INSTRUMENTAL, INTERPRETATIONS, MUSIC, NOSTALGIC, ORCHESTRAL, PHILOSOPHY

Charles Ives believed in the power of interpretation. There are countless perspectives to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Charles Ives believed in the power of interpretation. There are countless perspectives…

0074,electronic, experimental landscapes, nostalgic, instrumental, poetry, orchestral, classical, piano, strings, violin, cello, art, peaceful music, lake michigan, charles ives, antonin dvorak, acoustic, old, victorian era, period, modern music

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…to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

On Raglan Road (instrumental)

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Dug deep into my family past.

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion’s pledge,
The Queen of Hearts still making tarts and I not making hay –
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that’s known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay –
When the angel woos the clay he’d lose his wings at the dawn of day.

Dug deep into my family past.

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare…

0052,electronic, experimental landscapes, single, best, important, featured, greatest hits, nostalgic, instrumental, poetry, patrick kavanagh, dubliners, folklore, irish, synthesizers, synth, electric guitar, interpretation, cover, coldplay, texture, pattern

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…that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion’s pledge,
The Queen of Hearts still making tarts and I not making hay –
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that’s known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay –
When the angel woos the clay he’d lose his wings at the dawn of day.

Healing In Pink (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, FOLK, INDIE, INSTRUMENTAL, NOSTALGIC, RECORDING

Do you remember a specific moment in your life when knew you broke a personal barrier? Some people call them revelations.

I just remember being mind blown from the recent trip out west. The perspectives I had on life changed drastically as I slowly tried growing out of my little box. I had a mic and laptop, guitar and a 200 year-old house. The room was bright pink. Whoever modeled it had a strong affinity for the color, but it reached me strangely and awkwardly where I needed it most. So I set up my equipment, recorded stomps on the old wooden floor planks, wrapped a rubber band around my guitar strings, let the dog inside, and started. Was it the color? The company? The age?

Do you remember a specific moment in your life when knew you broke a personal barrier? Some people call them revelations…

0029,electronic, experimental landscapes, acoustic, folk, single, best, important, featured, greatest hits, songwriter, healing, room, recording, production, antique, old, nostalgic, elders, vintage, retro, guitar, violin

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I just remember being mind blown from the recent trip out west. The perspectives I had on life changed drastically as I slowly tried growing out of my little box. I had a mic and laptop, guitar and a 200 year-old house. The room was bright pink. Whoever modeled it had a strong affinity for the color, but it reached me strangely and awkwardly where I needed it most. So I set up my equipment, recorded stomps on the old wooden floor planks, wrapped a rubber band around my guitar strings, let the dog inside, and started. Was it the color? The company? The age?

Theravada (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, INSTRUMENTAL, MEDITATION, MUSIC, PHILOSOPHY, SCIENCE, SOUND HEALING, SPACE, WEIRD, YOGA

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

0130,electronic, experimental landscapes, glitchy, glitch, experiment, vocal, mysterious, ambient, collaboration, abstract, weird, minimal, minimalism, electric, sound design, creepy, sad, songwriting

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The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

  1. Creature Moments No. 7 1:43
  2. Creature Moments No. 6 1:06
  3. Creature Moments No. 5 6:47
  4. Creature Moments No. 4 4:16
  5. Creature Moments No. 3 13:19
  6. Creature Moments No. 2 2:42
  7. Creature Moments No. 1 12:49