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HIGHWAY CHILE

LIVE NOW: DOCUMENTING THE COUNTRY ON A HARLEY WITH A CAMERA AND PEN

 

VERANO

NEW SINGLE: A TRIBAL ELECTRONIC EXPLORATION

MYCST is an immersive experience.

We make art and music.

We’re musicians, photographers, designers, painters, writers and dreamers.

We create new madness weekly, so submerge yourself.

Feed your starving mind.

His Down Time

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, BEST OF, CINEMATIC, CLASSICAL, COLLABORATIONS, EXPERIMENTAL LANDSCAPES, FINE ART, IMPROVISATION, INDIE, INSTRUMENTAL, MEDITATION, MUSIC, ORCHESTRAL, RAD, RAW, RECORDING

in his down time there lives a place where he can play do make say observe and think whatever he wants

0069,electronic, experimental landscapes, acoustic, orchestral, obsession, passion, impromptu, improvisation, raw, piano, pianist, classical, studious, theory, iphone, phone video, camera, spontaneous, instrumental

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Songs My Mother Taught Me

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Charles Ives believed in the power of interpretation. There are countless perspectives to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Charles Ives believed in the power of interpretation. There are countless perspectives…

0073,electronic, experimental landscapes, nostalgic, vocal, poetry, orchestral, classical, piano, strings, violin, cello, art, peaceful music, lake michigan, charles ives, antonin dvorak, acoustic, old, victorian era, period, modern music

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…to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Great Branding

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True or false: Great branding is really the DNA of a product or company, manifested through various media in ways that the public can recognize and understand.

DNA: The fundamental and distinctive characteristics or qualities of someone or something, especially when regarded as unchangeable.

0131,electronic, electronic, acoustic, orchestral, branding, dreamy, festival, synth, synthesizer, homeless, bum, raw, unfortunate, violin, cello, big, anthem, ambient, reverb, piano, instrumental

music, producer, audio, mycst, memories you can swim to

True or false: Great branding is…

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…really the DNA of a product or company, manifested through various media in ways that the public can recognize and understand.

DNA: The fundamental and distinctive characteristics or qualities of someone or something, especially when regarded as unchangeable.

Barely Exist

By | ACOUSTIC, ALL CONTENT, ALL SONGS, ALL VIDEOS, BEST OF, CINEMATIC, FOLK, INDIE, LIVE PERFORMANCE, MUSIC, PHOTOGRAPHY, RAD, RECORDING, VISUAL ART, VOCAL

I get my vitamins through the guitar strings. Fuck injections. Also, when someone forces you to make a slick recording, go in the other room with a cheap microphone and record your own version behind the blood-sucker’s back.

I get my vitamins through the guitar strings. Fuck…

0053, acoustic, hike, life, confused, self help, irish jig, folk, fast, catchy, upbeat, hammer on, hammer off, singer, songwriter, cinematic, pop, vocal, video, performance, live, black and white, bandaid, guitar

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…injections. Also, when someone forces you to make a slick recording, go in the other room with a cheap microphone and record your own version behind the blood-sucker’s back.

Mortar and Stone

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I met a girl on the beach one day, like a breeze was swept my way. And although the air was filth – although my eyes were filled with sand – I let her in to stay. Still, I let her in.

So I used the sand to build a wall. A beautiful, giant wall. It towers high above – it towers high above them all. I am safe behind this wall. I can’t see over this wall.

For years, I’ve waited here alone behind mortar and stone. I count the steps that I can’t take. So I sit alone and wait. So how could she love me? I don’t even love me.

I want to break all of the walls that I have built around myself. Let all the people in that I have kept out and breathe again.

I met a girl on the beach one day, like a breeze was swept my way. And although…

0031, acoustic, folk, storytelling, songwriter, minimal, warm, beach, lyrics, love, oregon, sand, folk pop, guitar, vocals, alternative, simple, stripped

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I met a girl on the beach one day, like a breeze was swept my way. And although the air was filth – although my eyes were filled with sand – I let her in to stay. Still, I let her in.

So I used the sand to build a wall. A beautiful, giant wall. It towers high above – it towers high above them all. I am safe behind this wall. I can’t see over this wall.

For years, I’ve waited here alone behind mortar and stone. I count the steps that I can’t take. So I sit alone and wait. So how could she love me? I don’t even love me.

I want to break all of the walls that I have built around myself. Let all the people in that I have kept out and breathe again.

Theravada

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“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

0129,electronic, experimental landscapes, glitchy, glitch, experiment, vocal, mysterious, ambient, collaboration, abstract, weird, minimal, minimalism, electric, sound design, creepy, sad, songwriting

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“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

Breathing Underwater

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, MUSIC, VISUAL ART, VOCAL | No Comments

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger. A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas are manifested. More ideas are explored. This is a good example.

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger…

0025,acoustic, electronic, experimental landscapes, alternative pop, siblings, collaboration, guitar, keyboard, radiohead, nickel creek, tycho, hybrid, sister, vocal, singer, songwriter

music, producer, audio, mycst, memories you can swim to, license, licenses

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A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas a manifested. More ideas are explored. This is a good example.

  1. Creature Moments No. 7 1:43
  2. Creature Moments No. 6 1:06
  3. Creature Moments No. 5 6:47
  4. Creature Moments No. 4 4:16
  5. Creature Moments No. 3 13:19
  6. Creature Moments No. 2 2:42
  7. Creature Moments No. 1 12:49