Category

EXPERIMENTAL LANDSCAPES

Songs My Mother Taught Me

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, BEST OF, CLASSICAL, EXPERIMENTAL LANDSCAPES, INTERPRETATIONS, MUSIC, NOSTALGIC, ORCHESTRAL, PHILOSOPHY, VOCAL

Charles Ives believed in the power of interpretation. There are countless perspectives to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Charles Ives believed in the power of interpretation. There are countless perspectives…

0073,electronic, experimental landscapes, nostalgic, vocal, poetry, orchestral, classical, piano, strings, violin, cello, art, peaceful music, lake michigan, charles ives, antonin dvorak, acoustic, old, victorian era, period, modern music

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…to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Theravada

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, GRAPHIC DESIGN, INDIE, MEDITATION, MUSIC, PHILOSOPHY, VISUAL ART, VOCAL, YOGA

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

0129,electronic, experimental landscapes, glitchy, glitch, experiment, vocal, mysterious, ambient, collaboration, abstract, weird, minimal, minimalism, electric, sound design, creepy, sad, songwriting

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“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

Breathing Underwater

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, MUSIC, VISUAL ART, VOCAL | No Comments

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger. A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas are manifested. More ideas are explored. This is a good example.

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger…

0025,acoustic, electronic, experimental landscapes, alternative pop, siblings, collaboration, guitar, keyboard, radiohead, nickel creek, tycho, hybrid, sister, vocal, singer, songwriter

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A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas a manifested. More ideas are explored. This is a good example.

Eidéponmyg Nos. 1, 2, 3

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The Eidéponmyg Series: Our interpretation of the Gymnopédie piano pieces by Erik Satie, made in 1888. The pieces defied what was expected of most classical musicians of that day – something we were greatly inspired by.

acoustic, art, artist, composition, classical, orchestral, cinematic, weird, interpretation, cover, couch music, chill, ambient, background music, experimental, piano, electronic, reverse, sound design

mycst, memories you can swim to, california, license, licenses, media production

Dove Tailing

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, EXPERIMENTAL LANDSCAPES, INDIE, PHOTOGRAPHY, RAW, VOCAL, WEIRD

He and I collaborated silently as the negative nothings resounded like a din in the living room. Practicing scales, he set the stage for a gnarly medley that could twist the soul. Watch your mouth. Let it go. It’s not your fault.

0039, acoustic, video, experimental landscapes, raw, crazy, weird, abstract, lonely, piano, ambient, collaboration, doves, dissonant, modern music, ad lib, improvise, impromptu, improvisational, upright piano, reverb, roomy, vocal, cinematic, sincere, genuine, real

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He and I collaborated silently as the negative nothings resounded like a din in the living room. Practicing scales, he set the stage for a gnarly medley that could twist the soul. Watch your mouth. Let it go. It’s not your fault.

Goodbye Home (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, ALL VIDEOS, AMBIENT, BEST OF, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, INSTRUMENTAL, MUSIC, NOSTALGIC, POETRY, RAD, RAW, VISUAL ART

Cracks and holes in Victorian walls
Pink noises coming from above and all around
The scent of stale chips and old spinach
Don’t know what I’m doing, but I’m keeping my head down

Cracks and holes in Victorian walls…

0042, electronic, experimental landscapes, acoustic, instrumental, raw, room, alone, family, lost, money, distorted, guitar, synth, feedback, mic, noises, glitch, organ, ethereal, reverb, spacey, dark, slow tempo, adolescence

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Cracks and holes in Victorian walls. Pink noises coming from above and all around. The scent of stale chips and old spinach. Don’t know what I’m doing, but I’m keeping my head down.

Songs My Mother Taught Me (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, CLASSICAL, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INSTRUMENTAL, INTERPRETATIONS, MUSIC, NOSTALGIC, ORCHESTRAL, PHILOSOPHY

Charles Ives believed in the power of interpretation. There are countless perspectives to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Charles Ives believed in the power of interpretation. There are countless perspectives…

0074,electronic, experimental landscapes, nostalgic, instrumental, poetry, orchestral, classical, piano, strings, violin, cello, art, peaceful music, lake michigan, charles ives, antonin dvorak, acoustic, old, victorian era, period, modern music

music, producer, audio, mycst, memories you can swim to, license, licenses

READ MORE

…to look at a single melody line from. One might be smooth and gentle, while the other rigid and chaotic. How a melody line is interpreted is also entirely subjective. This piece is our tribute to Charles Ives’ philosophy on music and what he did with it. Original lyrics by Antonín Dvořák, interpreted by Ives, then interpreted by MYCST.

Healing In Pink (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, FOLK, INDIE, INSTRUMENTAL, NOSTALGIC, RECORDING

Do you remember a specific moment in your life when knew you broke a personal barrier? Some people call them revelations.

I just remember being mind blown from the recent trip out west. The perspectives I had on life changed drastically as I slowly tried growing out of my little box. I had a mic and laptop, guitar and a 200 year-old house. The room was bright pink. Whoever modeled it had a strong affinity for the color, but it reached me strangely and awkwardly where I needed it most. So I set up my equipment, recorded stomps on the old wooden floor planks, wrapped a rubber band around my guitar strings, let the dog inside, and started. Was it the color? The company? The age?

Do you remember a specific moment in your life when knew you broke a personal barrier? Some people call them revelations…

0029,electronic, experimental landscapes, acoustic, folk, single, best, important, featured, greatest hits, songwriter, healing, room, recording, production, antique, old, nostalgic, elders, vintage, retro, guitar, violin

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I just remember being mind blown from the recent trip out west. The perspectives I had on life changed drastically as I slowly tried growing out of my little box. I had a mic and laptop, guitar and a 200 year-old house. The room was bright pink. Whoever modeled it had a strong affinity for the color, but it reached me strangely and awkwardly where I needed it most. So I set up my equipment, recorded stomps on the old wooden floor planks, wrapped a rubber band around my guitar strings, let the dog inside, and started. Was it the color? The company? The age?

Theravada (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, INSTRUMENTAL, MEDITATION, MUSIC, PHILOSOPHY, SCIENCE, SOUND HEALING, SPACE, WEIRD, YOGA

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

 

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

“Enlightenment is not imagining figures of light but making the darkness conscious.” – Carl Jung

0130,electronic, experimental landscapes, glitchy, glitch, experiment, vocal, mysterious, ambient, collaboration, abstract, weird, minimal, minimalism, electric, sound design, creepy, sad, songwriting

music, producer, audio, mycst, memories you can swim to, license, licenses

READ MORE

The most beautiful thing about sharing a musical canvas is the insight into a different world of thought. A great collaboration is like having a stimulating conversation, where both parties are always enthralled by what they have to say. In this exchange, Ichion had a track of ambient, glitchy sounds in which he specializes. We used that energy – the swells of glass-textured sound waves, the prickling static – and wrote a melody and lyrics that were appropriate for both the music and song title.

“Theravada” is a devout school of Buddhism drawing its teachings from the earliest record of such knowledge. When first listening to Ichion’s initial track, we couldn’t help but recognize the constant droning of a low frequency. Our guess was that it was Ichion’s intent to reference Buddhist chanting, such as the OM mantra. The first who used this kind of meditation must have been aware of its physiological effects on the body. According to Ajay Anil Gurjar and Siddharth A. Ladhake’s journal on “Time-Frequency Analysis of Chanting Sanskrit Divine Sound “OM” Mantra”, they state that “Mantra is intrinsically related to sound and sound is reverberating in everything in this universe. A Mantra is a sound repeated over and over until it integrates into our consciousness – frees the mind from its constant doing, and elevates us to an altered state of awareness.” In other words, frequency is the catalyst of our world, so how could it not affect our body?

Breathing Underwater (instrumental)

By | ACOUSTIC, ALL CONTENT, ALL SONGS, AMBIENT, COLLABORATIONS, ELECTRONIC, EXPERIMENTAL LANDSCAPES, INDIE, INSTRUMENTAL, MUSIC, NOSTALGIC

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger. A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas are manifested. More ideas are explored. This is a good example.

When people collaborate, a beautiful clashing of perspectives creates something beautiful. When two siblings collaborate, I believe it becomes stronger…

0025,acoustic, electronic, experimental landscapes, alternative pop, siblings, collaboration, guitar, keyboard, radiohead, nickel creek, tycho, hybrid, sister, songwriter, INSTRUMENTAL

music, producer, audio, mycst, memories you can swim to, license, licenses

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A chord progression that speaks love. A melody line without an emotional shell. As the inspiration grows, the arrangement grows. My sister and I have been making music together for a large portion of our lives. Over the years we came to grow within each other through the creative process. This song started with just her, me, and the acoustic. I wanted to twist the line between happy and sad. After recording most of the arrangement, I realized the song was truly influenced by the original spirit of the idea caught in the acoustic guitar. It’s amazing how powerful simplicity can be when it’s backed by the encouraging essence of siblinghood. Words come out in a way they wouldn’t otherwise. More ideas a manifested. More ideas are explored. This is a good example.

  1. Creature Moments No. 7 1:43
  2. Creature Moments No. 6 1:06
  3. Creature Moments No. 5 6:47
  4. Creature Moments No. 4 4:16
  5. Creature Moments No. 3 13:19
  6. Creature Moments No. 2 2:42
  7. Creature Moments No. 1 12:49